By Mark Garcia
Targeting the intersections among textiles and architectural layout, this identify communicates the complete diversity of probabilities for a multidisciplinary layout hybrid. It examines the generative suggestions, types, styles, fabrics, approaches, applied sciences and practices which are riding this cross-fertilisation in modern city and architectural layout. Architextiles symbolize a transition degree within the reorientation of spatial layout in the direction of a extra networked, dynamic, interactive, communicative and multifunctional kingdom. The paradigms of style and cloth layout, with their targeted, sped up aesthetics and talent to embrace a burgeoning, composite and complicated variety of homes similar to lightness, move, flexibility, floor, complexity and move have a traditional affinity with architecture's shifts in the direction of a extra liquid nation. The preoccupation with textiles in structure demanding situations conventional perceptions and practices in inside, architectural, city, fabric and type layout. Interweaving new designs and speculative initiatives for the long run, Architextiles, brings jointly architects, designers, engineers, technologists, theorists and fabrics researchers to solve those new methodologies of fabricating space. Contributors include:Dominique Perrault (DPA)Lars Spuybroek (NOX and collage of Atlanta)Will Alsop (RCA and SMC Alsop)Nigel Coates (RCA and Branson Coates Architecture)Matilda McQuaid (Cooper Hewitt Museum)Ron Arad (RCA and Ron Arad Associates)Tristan Simmonds, Daniel Bosia and Martin Self (Arup complex Geometry Unit)David Wakefield (Tensys)Dagmar Richter (UCLA)Peter Testa and Devyn Weiser (Columbia collage and Testa Architecture)Tom Verebes, Yosuke Obuchi and Theodore Spyropoulos (AA_DRL)Robert Kronenburg (University of Liverpool)Anne Toomey (RCA)Bradley QuinnMarie O' MahoneyMark Garcia (RCA)
Read Online or Download Architextiles (Architectural Design November December 2006 Vol. 76 No. 6) PDF
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Additional resources for Architextiles (Architectural Design November December 2006 Vol. 76 No. 6)
The design was developed from two ideas. The first was the use of stripes to emphasise the topography of the building. The second was to create a skin for the balconies so that the form would keep the rain off. This was achieved with a wire and textile model and some ruching. The result was then digitised and wrapped on to the building, as the ‘frock’. The stripe pattern can also be identified in the landscape patchwork-quilt design for the Middlehaven Masterplan of 2003. The genealogy of this concept can be traced to Alsop’s experiments in translating textiles into coloured and patterned landscapes.
He emerged on to the world stage in 1989 with his competition entry for the new Bibliothèque Nationale in Paris, which propelled his work with meshes on to the international scene. Since then he has continued his research into exploring the structural, functional, emotive and atmospheric effects of an architecture of textile-based properties, ideas and qualities. Many of Perrault’s new and recent works demonstrate original spatial moves and concerns that have deepened the scope, depth and value of his particular manner of articulating the relationships between architecture and textiles.
To define the subject of the exercise as the Thames Gateway, one of us drew in the rope-like signature of the River Thames. As our ideas gathered pace, writing spewed on to the canvas from all sides. Interestingly, in the absence of the usual pattern provided by maps or architectural drawing, the humble paper doily found its way on to the board and got used as an abstract sign for metropolitan intensity. These qualities have everything and nothing to do with the future town, and this is why they are useful.